His self-titled sophomore album drives the point home, including an all-instrumental track, “El Vacile del Tío,” dedicated to his bass player, as well as the Estemán-featuring “Eso que me das” (which blends disco with Brazilian beats), and the Beatlesque “Joderlo todo.” It's eclectic but still cohesive, atmospheric but highly melodic - and a great example of the variety that can still be found in good pop. But Vega is also a recording artist in his own right - one is increasingly unafraid of taking risks in his off-center pop. G.F.Ĭolombian singer-songwriter Juan Pablo Vega is best known in some circles as a producer. As ever, Ortiz places all bets on an eclectic sound that ranges from corridos to melodic rancheras, and reflective tracks powered by banda, mariachi and norteño for a wider appeal, and to showcase his versatility as an artist. Regional Mexican singer-songwriter Gerardo Ortiz celebrated his 10th anniversary in the Latin music scene with his new album aptly titled Décimo Aniversario, which was released in February. The subsequent set didn't disappoint, with Maverick's raspy voice and powerful guitar riffs narrating an existential crisis over 12 emotionally heavy and sonically psychedelic tracks - a testament to the young talent's ability to create empathetic lyrics that define and reflect his generation’s fears and anxieties. When 20-year-old Mexican folk singer Ed Maverick released “niño” as the focus track to his debut album Eduardo - opening with the cryptic lyrics, "Life is a beast that is slowly killing me, and I don’t know what’s going to happen” - listeners were intrigued instantly. Guests on this album include Spanish queens Mala Rodriguez and Lola Indigo. The Chilean artist best explains it herself as "a narrative journey because everything has a reason." Singles such as "Tiene Sabor," "Agua Segura" and "Dormir" easily set the tone for Todas Seremos Reina, an album with dance-pop/R&B fusions, injected with Rosenthal's powerhouse vocals and empowering lyrics. Todas Seremos Reinas (We'll All Be Queens) is an ode to womanhood from start to end, with songs that will remind women they are beautiful, perfect, fierce, and strong.
That’s why I named it ‘K.O.’ - because it was like the last punch to the heart during this whole process.” The Mexican singer says the way the set's 11 tracks, including “Friend de Semana” with Luisa Sonza and Aitana, and the Sebastian Yatra-assisted “No Bailes Sola,” are organized is in the exact order that everything was occurring in her life. “I used it to drain everything I had in my heart. “With this album, I knocked out all of the bad stuff that was killing me, emotionally,” she said to Billboard, calling it an album that represents healing. On K.O., Danna Paola makes it her mission to empower herself and others through her music. The 12 collabs here are unexpected, ranging from Cuban veteran Eliades Ochoa and icons Toquinho and José Feliciano to alt up-and-comers like Omar Apollo and Ed Maverick. Tangana raps and sings, accompanied by traditional Spanish guitar that intertwines with electronic loops and handclaps. Instead, Tangana turns inwards in El Madrileño (The Man From Madrid), an homage to his hometown that digs deep into the roots of Madrid’s essential music. It would have been easy to stay the course with more rap and reggaetón tinged collabs. Tangana made a name for himself as a rapper both hardcore and cerebral, appealing to music snobs and the masses alike, co-writing with Rosalía and zipping up Spain’s charts.
#Musica con mariachi mexicana full
Home to beautiful mellow harmonics, piano pieces and more, Dios Los Cria is full of epic covers that reintroduce tracks to a new generation of artists and fans. On this set, which pays homage to a commonly used term in the Spanish language meaning "God raises them," the Argentine rock icon revisits some of his greatest hits, opening with “Bohemio” featuring Julio Iglesias. With the abundance of talent on this album, Dios Los Cria is simply exquisite music for your ears.
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